MATTHEW CHARLES KNIGHT
FASHION DESIGNER & MILLINER
A sophisticated edge defines the work I create. Garments designed with a conceptually rich background, architectural seams and a bit of intimidation can be seen throughout my portfolio, and the various garments I have made during and after my BFA experience at the Massachusetts College of Art & Design in Boston, MA.
about
DOMINANTOINETTE
Marie Antoinette is reborn as a dominatrix - with a
vendetta to spare. Late 18th century couture blends with
the more modern black leather dominatrix aesthetic
to remind the viewer that powerful women have always
and will always be present, no matter the time period.
Thesis: Process
Thesis: Accessory Message
Portfolio
A lavallière in a textured lustrous black scaled leather. I’ve been wanting to make one of these for a while, and love how it looks in a more bodied material rather than traditional silk versions.
“Fléctere si néqueo súperos Acheronta movebo - If I cannot move heaven, I will raise hell.”
- Virgil, The Aeneid
Darker and a more modern version of its 18th century inspiration, this corset/stay is made in a black waxed linen and structured with half inch spiral steel boning. This garment also has an 8 set eyelet closure back, and a set of eyelets on each side of the bust secured by cotton ties. It is also lined in waxed linen to provide extra structure and durability.
A reverse lapel vest made from entirely repurposed textiles. The main body is made from canvas that I used to paint leather on top of for my thesis collection, and the accent panels on the front and the back are made from a very interesting insulation type of material, given to me by friend a mentor Erin Robertson. The lapels are secured by a silver button sewn into the lining, also made in the repurposed canvas. This garment was an exercise on reusing materials and repurposing them.
A corset in a dark red leather and a vintage red toile sourced from a chair that was being upholstered. this piece has spiral steel bones and has a three eyelet laced back. the toile is a bit discolored in some areas due to its vintage sourcing, but I love the history it incorporates into the textile.
An asymmetric collared capelet in white cotton, adorned with lace around the edges. The fabric, repurposed from upholstery, is cinched around the leather neckband and closed with a pair of eyelets in the front.
In a collaboration with MassArt film maker and director Carley Byers, this white linen dress cinched with a rose gold faux leather collar/corset I made was featured in this film with pointe dancer Emma Andre from the Boston Conservatory. This film examines the juxtaposition between the beauty of pointe with the struggle and pain that goes into the training and preparation for a performance.
